Thursday, 23 January 2025 10:21

Oppression as a Paradigmatic Component

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  • Abstract

This article aims at bringing general attention to the universal human phenomenon of oppression, expressed in East African indigenous cultures and knowledge. We cannot take on the enormity of oppression as a problem; neither can we encompass, recount or analyze the enormous literature about it. We can, however, take our biology into account and examine our own experiences. We recount some history and some enlightening stories from our own lives while offering analyses and some suggestions. Our stories focus on the design of systems, activities and products. 

As a subject, oppression has received scholarly attention and done so for a long time throughout the world.  In India, the term ‘dalit’ means 'oppressed', 'broken' or 'crushed' to the extent of losing original identity; the caste system and sexuality seem to explain the level of oppression. Political Science scholars say that communism is the main reason for leadership oppression in Russia and in countries with similar ideologies.  Meanwhile, racism is often cited as the main reason why there is oppression in Australia, America and Europe.  Different types and levels of poverty may explain oppression within Africa, in general, and East Africa, in particular.  With the general picture from readings and using participant observation we get data we analyze and discuss here.  By way of generalization, we think that oppression in Africa has negative and positive sides built in cultures of the people.  It is not enough to dwell on the negative parts; we would do more if we found social-cultural roles oppression may play in making life tick.   

            Keywords:  Culture, oppression, power anomalies, inequality, user hostility

Additional Info

  • Publication Year: 2023
  • Citations:

     

     

     

     

    Kwanya and Matu, Indigenour Knowledge and Development, Technical University of Kenya

Read 225 times Last modified on Friday, 24 January 2025 07:56
Donna Pido

Donna Pido is an American anthropologist with 5 decades of professional experience in jewelry and product design.  She holds a PhD in applied Anthropology from Columbia University in New York.  She has assembled and deposited several collections of Kenyan material culture in American and European museums and has written extensively on Maasai art among other topics related to esthetic production in Kenya.  She has been teaching design at TUK since 2012 and is also the former chair of the College of Arms in the Office of the Attorney General. Prof. Pido is an active member of the Kenya Quilt Guild and the Kenya Embroiderers Guild.

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